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PT 3/3 The Genius of Mozart
Posted in: Biographies, Music
PT 3/3 The Genius of Mozart
August 20th, 2009
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Rating: 9.9/10 (8 votes cast)

The story begins with the composer’s father Leopold with whom Mozart conducted a passionate and tortured correspondence. It is Leopold who knows Mozart’s secrets. And there is another voice: that of the music itself. Music is the key to unlocking the emotions of Mozart, starting in this film with the great piano works.

Without this key, how can we ever understand the emotions that gave birth to some of the most beautiful sounds the world has ever heard? The first great phase of Mozart’s brief life was that of the travelling child prodigy – gifted as a performer and writer of music – who grew into the genius who, working within the restrictions of his time, began to rewrite the musical rules.

But there was another facet to Mozart – the adult thinker aware of the bigger picture, passionately attached to the progressive values of the Enlightenment – impressively well-read, a speaker of most European languages (even a little English), an Austrian Catholic, a Freemason and above all a composer at the height of his formidable powers, determined to succeed in the most difficult and lucrative area of all – Opera.

Towards the end of his life, Mozart mastered the language of instrumental and orchestral writing – and how both love and loss provoked in him an extraordinary burst of creativity. This was essentially crystallised in three ambitious works that changed the future course of music: his last, great trilogy of symphonies – numbers 39, 40 and 41 – which he wrote in six short weeks. This is a must watch film for lovers of music and life!

PT 3/3 The Genius of Mozart, 9.9 out of 10 based on 8 ratings
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  • black_alex98

    Splendid!!!

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  • Aaron Maxwell

    A wonderful account of Mozart’s life, the times he lived in, and how his world influenced his music. One needn’t be a classical music geek to enjoy this series, but it would probably help. On the other hand, for those who enjoyed the movie “Amadeus” this biographical series will enhance that film’s experience.

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  • Anonymous

    Charles Hazelwood gives a beautifully informed critique of Mozart’s music that anyone can find accessible and uplifting. Indeed, I have just wiped my mp3 player to fill it up with my favourite Mozart operas, concertos and symphonies.

    There is plenty of biographical information, largely gleaned from letters, and portrayed as re-enactments and pseudo interviews with the people who knew him. Even a brief couple of appearances from Papa Haydn.

    Hazelwood’s analysis of the music is done tastefully, and with an obvious love of Mozart’s brilliance. Hazelwood argues, quite convincingly, that Mozart was a proto-Romantic, rather than a pure Classical composer, given the sheer emotional expression of music which ties in with traumatic events in Mozart’s life.

    I am biased, I fully admit. I have always strongly felt that Mozart was musically enlightened, connected directly the cosmos, so to speak. I have not heard anything by him that I dislike; even his childhood compositions have a genuine charm. The only other composers that do this for me are Bach and Tchaikovsky. Beethoven is hit and miss for me. But, as Hazelwood says, Mozart IS music.

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